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16th December 2010 – Every Cloud
St Petersburg Origins
In the early 1990s Russia changed its political system radically and the Soviet system of government was replaced in favour of a new political path with aspirations to democratize its institutions along western lines and economic models of capitalism. A lot has happened since that time. I mention it here as I was in Russia at that time for nearly four months, in St Petersburg in fact, working on a film for the BBC. My experience during that time had a huge bearing on what I am doing at the moment which is making films and how I am doing it.
While in St Petersburg in 1993 I was introduced to Adam Alexander or maybe Alexander Adams I cant quite remember.He had set up as a producer come distributor in the city. He had bought a largish apartment and I was invited around to meet him on one of my few days off during the production. Adam was a tall and light haired with a naive welcoming smile and manner – lively and generous with his personality and keen to get to know people. He showed me around the apartment and in one room he had a whole editing suite set up. A moviola was set up in one corner and abetacam editing suite set up in another part of the large room. I was fascinated by the whole operation in this romantic and phantasmagorical city. It had never occurred to me that you could set up an editing suite and production operation in an apartment. Now of course with computers and non linear editing everyone is doing it. However it was then that I decided I would live in Moscow and have a similar studio set up in an apartment at some time. It was a dream and I didn’t really believe it myself but one which some years later has come to be. As I sit here looking out across a wintry night in Moscow from my 7th floor apartment with a couple of computers making up a the backbone of an editing suite with extra screens for monitoring and so on.After I lived in Moscow for some time and it came time to buy an apartment we looked for somewhere in the centre and quite large so that it could double as a studio and a place to live. That way I felt it was a more economically workable investment. We knocked down a few walls during the renovation so that the apartment could double as a living space and a studio.For more complicated technical operations there is a studio not 10 minutes away which I can use whenever I need to.
Light at the End of the Tunnel
Autumn – Moscow. The dark evenings come earlier and earlier with every passing day. Coming to the end of the edit on The Japanese Garden – Landscape and Meaning. Still not entirely happy with the title. However I don’t want anything to prosaic which might be misleading. Writing something which will introduce the film as a kind of announcement of release. Work has piled up behind this film including The Stanislavsky Documentary film “Stanislavsky and the Metamorphosis of Russian Theatre” and some related writing projects which I am working on. There is no other way however to make progress otherwise the quality of the film suffers if you try and rush things. Today manged to get to grips with and complete some computer graphics and effects which have been giving me difficulties. I feel like I haven’t been out for days although this is not true. The feeling with this film is that I have been ensconced in a long tunnel neither looking right or left and despite the pleasure and experience I have derived from this film I really want to get it finished and move forward with other projects.
I tried to contact the Utsunumiyo Museum in Japan with regard to selling the film “Alexander Rodchenko and the Russian Avant-garde” as part of their exhibition “Alexander Rodchenko and Varvara Stepanova”. Its was difficult to negotiate with them but I will ask Akira Suzuki to help with the negotiations.
Light at the end of the tunnel. Film updates
Autumn – Moscow. The dark evenings come earlier and earlier with every passing day. Coming to the end of the edit on The Japanese Garden – Landscape and Meaning. Still not entirely happy with the title. However I don’t want anything to prosaic which might be misleading. Writing something which will introduce the film as a kind of announcement of release. Work has piled up behind this film including The Stanislavsky Documentary film “Stanislavsky and the Metamorphosis of Russian Theatre” and some related writing projects which I am working on. There is no other way however to make progress otherwise the quality of the film suffers if you try and rush things. Today manged to get to grips with and complete some computer graphics and effects which have been giving me difficulties. I feel like I haven’t been out for days although this is not true. The feeling with this film is that I have been ensconced in a long tunnel neither looking right or left and despite the pleasure and experience I have derived from this film I really want to get it finished and move forward with other projects.
I tried to contact the Utsunumiyo Museum in Japan with regard to selling the film “Alexander Rodchenko and the Russian Avant-garde” as part of their exhibition “Alexander Rodchenko and Varvara Stepanova”. Its was difficult to negotiate with them but I will ask Akira Suzuki to help with the negotiations.
TAB Event – Aleksandr Rodchenko + Varvara Stepanova "Visions of Constructivism"
TAB Event – Aleksandr Rodchenko + Varvara Stepanova “Visions of Constructivism”
[Image: Aleksandr Rodchenko (1924, 1965) collection of the Pushkin Museum]
Schedule
From 2010-09-19 To 2010-11-07
Artist(s)
Aleksandr Rodchenko, Varvara Stepanova et al.
Website
http://u-moa.jp/ (Japanese) (venue’s website)
Fee
Adults ¥800, University & High School Students ¥600, Junior High and Elementary School Students ¥400
Venue Hours
From 9:30 To 17:00
Closed on Mondays
Note:On a Public Holiday Monday, the museum is open but closed on the following Tuesday.
Access
25 minutes by bus from West exit at the JR Utsunomiya station or 20 minutes by taxi from the JR Utsunomiya station.
Address
1077 Nagaoka-cho, Utsunomiya-shi, Tochigi-ken 320-0004
Phone: 028-643-0100 Fax: 028-643-0895
Thoughts from St Petersburg
Just returned from St Petersburg for 24 hours shooting an interview for a private client. Excellent footage. The last time I was in St Petersburg was 1993 on the film Grushko. We were there slightly longer (3-4 months) at that time. Now the whole atmosphere has changed. Much more lively and open although a lot less stressful than Moscow. Travelled up on the new high speed express railway. Fantastic experience, better than air travel. Everything went well just a shame couldn’t stay longer.
Revisiting St Petersburg after all this time and essentially returning as a film maker whereas before I was working on somebody else’s production, has given me food for thought. The question that is exercising me the most is marketing my films – those which are already complete and those which will be available over the coming months. For instance I am putting the finishing touches to “The Japanese Garden – Art, Landscape and Meaning”. A film, which as its title suggests, will explore the artistic and philosophical meaning of Japanese gardens. As soon as this is ready I will be straight onto another project which is also in post production “Stanislavsky and the Metamorphosis of Russian Theatre. The problem I am finding is coordination of the marketing of this material across the Internet. It really is a full time activity in itself but an absolutely key component of film making and is becoming more so. I have a number of sites and blogs etc across social networks and need to draw them together into some kind of coherent strategy or at least align them along some strategy which I actually don’t have as yet.
One idea I have had for the release of “The Japanese Garden – Art, Landscape and Meaning” is to simultaneously publish an e-book in monthly instalments, recounting the 2 three month shoots in Japan which went into the making of the film. This I think will help promote the film, provide background information to the subject as well as adding an extra dimension to the whole project.
Chekhov Country – Hot and hardly visible
Returned from the Russian countryside after almost three weeks. Not exactly a place of Chekhovian atmospheres and moods. Such things are hard to find nowadays in the Russian countryside but with wild fires billowing in the hot summer wind and temperatures of up to 40 degrees, those lazy dreaming Russian summers seem like a thing of the long distant past. Which is something Chekhov was already hinting at in The Cherry Orchard. We left Moscow as the heat started to become unbearable and headed out to a an old soviet style holiday rest complex. It was built as a Pioneer camp for soviet school children but has been converted into a kind of holiday complex for adults. There we escaped the worst of the smog and smoke from the fires. I took the main computer with me and was able to get a considerable amount of work done especially on the Stanislavsky Film “Stanislavsky and the Metamorphosis of Russian Theatre”. The script is more or less fleshed out and ready for recording. I have a good narrator in mind, James Langton, an English actor who lives in New York. He has just completed the narration for the other film I have in post production “The Japanese Garden – Art, Landscape and Meaning”. The title may appear elsewhere under a different variation until I can settle on a version that I am happy with. James delivered the final text with the corrections I had requested and I can now start to complete the film. Excellent narrator of text and I am very happy with the result. I will work on “Stanislavsky and Metamorphosis” parallel with the Japanese film. Now back in Moscow and coping with the unendurable heat.
